So he’s suppose to be a really famous philosopher. And he studied under Plato. Who I remember distinctively because one of my teachers in secondary school, most probably my lit teacher, said that Pluto is just some guy who sat on rocks and spoke facts in a ‘i-know-stuff’ way and people respected him. Which led me to remember one afternoon long ago, when I came up with a theory that to be famous and ’special’ like Van Gogh, you got to be different. That guy cut off his ears. And after remembering all that and thinking about what was it that made Aristotle ‘The Man’ long ago that long, I couldn’t find out or come up with any sort of theory for this philosopher. Except that he has a cool god-blessed sort of name and he may be a stud in those days with his beard and books.
After all the research on his principles and what he does not like, I think he’s opinions are really….well…general.
If I were to say such things nowadays, people would just look at me in an odd way and pay no more attention to me after. I find him saying/writing his opinions is like me saying/writing that I’d rather eat green apples cause they have a more complex flavour and not just plain sweet. (:
Look at his principles of tragedy.
One. Plot. (It has to be whole and complete.)
Two. Character. The one who brings about the emotions. So that we the not-as-smart-as-the-poet can understand what is going on.
Then there’s Three, Four and Five. The gist of it is that they all involve some sort of thinking (brain).
And I like number Six. I find it amusing. (:
Six. Spectacle is last. As Special effects depends more on the Mechanist who has brawns and not on the Poet’s brain.
And I still don’t get what’s the big deal with Aristotle.